Project 10 assembly line

The experiential catalogue Let’s call this a sketch pad, a rough diagram, a list, a mental assemblage of elements, an aid to unconscious conjecture about the story I’ve told in this unit and that teeters on the edge of the 3.3 cliffhanger. Fasten your seatbelts. I’ve used digitally altered photography as reference material for paintings Written ‘tombstone’ material (no more than 75 words as per tradition) for finished work I have animated worm dads, scared cats, and novice spiders on their first dangle thread in Procreate and put them in a wild space I have augmented many paintings with digital … Continue reading Project 10 assembly line

Legacy 3.2 Part Three: collaboration, audience, and social media

For this project, I would approach a service for adults with intellectual disabilities that I know from my previous job and from which I recruited participants to an NIHR Invention for Innovation funded research project involving the virtual world platform, … Continue reading Legacy 3.2 Part Three: collaboration, audience, and social media

Dissertation – preparation log

13th December 2022. Consider this a scrap book of ideas, clips, reminders, accumulated references, and images. “A Dissertation is a longer piece of academic writing. It should be between4000-6000 words long, or an equivalent presentation. Writing your Dissertationhas been split … Continue reading Dissertation – preparation log

Virtual Gallery

When you start learning how to make visual art, no one tells you how it will take over every surface in your house and some of it will be wet. Contrast this with writing where books stay on shelves and your desk with its computer and printer is generally all the space a good story needs. Back it up, shut it down, no washing or mopping involved. The other big difference is that writing goes into books which go into shops or online magazines, it doesn’t hang around where you can trip over it, and it certainly doesn’t need bubble … Continue reading Virtual Gallery