Project 10 assembly line

The experiential catalogue Let’s call this a sketch pad, a rough diagram, a list, a mental assemblage of elements, an aid to unconscious conjecture about the story I’ve told in this unit and that teeters on the edge of the 3.3 cliffhanger. Fasten your seatbelts. I’ve used digitally altered photography as reference material for paintings Written ‘tombstone’ material (no more than 75 words as per tradition) for finished work I have animated worm dads, scared cats, and novice spiders on their first dangle thread in Procreate and put them in a wild space I have augmented many paintings with digital … Continue reading Project 10 assembly line

Post tutorial final project thinking

As always, an energetic and diverse range of discussion topics going everywhere from painting media through comparison of transitions in art and music, to political statements about the impact of the lack of a mobile signal in a village. We established that, whatever I do, I’m telling a story and that, for now, the final scene in this particular chapter (3.2) is yet to be written. We talked elsewhere about transitions in videos, the way they can glitch or blend or fade from one sequence into the next, and this seemed an appropriate metaphor for Project 10 which is the … Continue reading Post tutorial final project thinking

Titling a painting

This is a painting from an earlier module. I’d made a rather dramatic video as its AR overlay but, after talking in a tutorial about the use of text in art, I thought I might substitute the apocalypse for a very simple title and signature. The video is made in PowerDirector, the greenscreen titles in PaintshopPro. The AR is live via #Artivive. You can find the painting in my Artsteps Strayfish gallery https://www.artsteps.com/view/63cc3569c0a4cb48a02c254e SCH 2024 Continue reading Titling a painting